Brilliant biopics, daring documentaries and a host of chillers and thrillers – our critics pick the best from another sensational year of cinema
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While country’s return to global stage has filled many Syrians with pride, domestically old grievances threaten efforts to rebuild the state

• Anniversary of the fall of house of Assad in Syria – in pictures

Lying in bed recovering after his latest surgery, Ayman Ali retells the story of Syria’s revolution through his wounds. His right eye, lost in an attack on a rebel observation post he was manning in 2012, is covered by yellow medical tape. Propped against the wall is a cane he uses to walk, after a rocket attack in 2014 left him with a limp.

For 14 years, Ali dreamed of freedom and of justice. A year after the ousting of Bashar al-Assad, he has his freedom but not his justice. The man he was dreaming of holding accountable – a member of his extended family who was a part of an Assad militia – had already fled the country by the time Ali returned to his home in Damascus.

Experiences raise questions about how telecoms firm treated small business owners, whose commission it cut

When Adrian Howe drowned in August 2018, his family found some solace in the support of his longtime employer.

The bond between the 58-year-old and Vodafone – the multinational mobile phone group for which Howe had worked for 20 years – was so tight that his funeral featured a wreath shaped like the company’s speech mark brand.

Until she reached her 50s, the actor was a constant presence on stage and screen. Then the offers disappeared. Now, as her renaissance continues, she is taking on Mrs Malaprop in The Rivals

After six decades as an actor, Patricia Hodge says she still gets nervous before a play opens. “I think nerves are always the fear of the unknown,” she says. “Particularly with comedy, where there is no knowing how the audience will react: you’ve got to surf that.”

We meet on a sunny winter morning at the Orange Tree theatre in Richmond, south-west London, where Hodge is about to appear in The Rivals, to celebrate the 250th anniversary of the Richard B Sheridan play, in which she plays the ironic – sorry, iconic – Mrs Malaprop. “You’re sort of in a tunnel, your entire being is focused on this,” she says. She was here in rehearsals until 11pm the night before. Today, she is sitting at a table with a large coffee. Does she enjoy this bit, the putting together of a play? “I think it’s love-hate actually. The process is really why I do theatre.” She says she finds it energising, “but it’s also very trying, and you just don’t want to be left with your own limitations”.

There is a bread and circuses feel to this scandal. A wise public would see red flags; instead it sees entertainment

One upside of adversity is art, inspiring cultural output that seeks to process and channel suffering. “I’ll say one thing about Thatcher, some fantastic songs were written during her reign,” said the Irish singer Christy Moore once – before belting out a goosebump-raising rendition of Ordinary Man by Peter Hames, a song about the 1980s recession. That is, so far, the only upside of the publication of Olivia Nuzzi’s book American Canto, an affliction to journalism, politics and publishing: there has been some fantastic writing since it all kicked off.

Masterful reviews. Very funny commentary. Scathing analysis. But first, a summary of events for readers of this column, most of whom I assume are well-adjusted, offline people, with better things to do with their time than follow what can only be described as a niche beef. Nuzzi is (or perhaps was, keep reading) a celebrated US political journalist who had a “digital affair” with Robert F Kennedy Jr while he was running for president, broke all sorts of journalistic rules while doing so, and was fired from her job at New York magazine. RFK Jr went on to become Donald Trump’s anti-vaccine health secretary, Nuzzi has published a book about the whole affair, and her ex-fiance Ryan Lizza – another political journalist – has been dripfeeding revelations about how she cheated on him, and a litany of other personal and professional transgressions. There are no heroes here.

Nesrine Malik is a Guardian columnist

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A brilliantly human photographer, he celebrated the overlooked, finding beauty in cheese sandwiches at a church fete or people queuing for ice cream at the beach – all while poking fun at Britishness

• Martin Parr dies aged 73
• Martin Parr: the photographer’s career in pictures

Martin Parr looked like “a naff birdwatcher”, according to his editor Wendy Jones. His appearance was so unassuming that he told me during a recent public talk, that while he was taking pictures during a recent seaside trip, some passersby remarked that he was “a bit like Martin Parr”. Unbothered by glitz and glamour, for more than five decades Parr purposefully pursued the most boring things he could find – he was unapologetic about the excitement he saw in a perfect cup of tea, a plate of beans on toast, or a woman filling up her car at a petrol station. He also knew that, with time, these supposedly dull things would become interesting.

Parr took delight in looking, without flattery, at the things you thought you already knew. In a Parr picture, beauty is not always graceful – the overflowing rubbish at New Brighton beach, the cucumber and cheese sandwiches wrapped in clingfilm at Shalfleet church fete (with the sign, please do take ONE cherry tomato). He made the mundane magnificent with his panache for saturated colours and surprising compositions. He was masterful at capturing the unexpected and unchoreographed interruptions that reveal the unpolished truth of the ordinary moment. He understood that the fluorescent glow of a chip shop could be as revealing as a cathedral; that the colour of a plastic beach bucket could anchor the entire mood of a nation; that the way a stranger holds a sandwich or an ice-cream speaks of class, of longing, of place, of the small stories that batter or buoy us daily. This radical attentiveness – this celebration of the overlooked – is what made Parr one of the most human photographers of our time.

Ukrainian president’s discussions with leaders of UK, France and Germany come after US-Ukraine talks in Florida failed to achieve breakthrough

• See all our Ukraine war coverage

Meanwhile, we are starting to look towards 10 Downing Street as the leaders should start arriving in the next hour. Last preparations are under way, and we have a live stream for you at the top of the page.

In the last few minutes, Volodymyr Zelenskyy has just landed in the UK, Sky News has reported.

Ex-footballer was convicted last month over posts targeting pundits Lucy Ward and Eni Aluko, and broadcaster Jeremy Vine

Former footballer Joey Barton has been sentenced to six months in custody, suspended for 18 months, over a series of offensive social media posts between January and March 2024.

Barton, 43, was found guilty last month at Liverpool crown court of six counts of sending a grossly offensive electronic communication with intent to cause distress or anxiety for posts he made targeting football pundits Lucy Ward and Eni Aluko, and broadcaster Jeremy Vine.

Reform campaign accused by ex-councillor of falsely reporting expenses during Farage’s run to become MP last year

• UK politics live – latest updates

The Reform UK leader, Nigel Farage, has been urged to “come clean” over his election campaign in Clacton after a former aide claimed his party breached spending rules.

Farage’s campaign has been accused of falsely reporting his election expenses during his successful run to become an MP last year.

Concerns over recording of meetings at coordination centre excluding Palestinians that was set up to provide support for Trump’s Gaza plan

Israeli operatives are conducting widespread surveillance of US forces and allies stationed at a new US base in the country’s south, according to sources briefed on disputes about open and covert recordings of meetings and discussions.

The scale of intelligence gathering at the Civil-Military Coordination Center (CMCC) prompted the US commander of the base, Lt Gen Patrick Frank, to summon an Israeli counterpart for a meeting to tell him that “recording has to stop here”.